Glass Houses

Glass Houses

A Novel

Book - 2017
Average Rating:
37
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"When a mysterious figure appears in Three Pines one cold November day, Armand Gamache and the rest of the villagers are at first curious. Then wary. Through rain and sleet, the figure stands unmoving, staring ahead. From the moment its shadow falls over the village, Gamache, now Chief Superintendent of the Sûreté du Québec, suspects the creature has deep roots and a dark purpose. Yet he does nothing. What can he do? Only watch and wait. And hope his mounting fears are not realized. But when the figure vanishes overnight and a body is discovered, it falls to Gamache to discover if a debt has been paid or levied. Months later, on a steamy July day as the trial for the accused begins in Montréal, Chief Superintendent Gamache continues to struggle with actions he set in motion that bitter November, from which there is no going back. More than the accused is on trial. Gamache's own conscience is standing in judgment" -- provided by publisher.
Publisher: New York :, Minotaur Books,, [2017]
Edition: First edition.
ISBN: 9781250066190
1250066190
Branch Call Number: M PENN
Characteristics: pages ; cm.

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g
gordonsetters
Apr 15, 2018

(the author revealed at the end of this disappointing book that while she was writing it, her husband suffering from dementia, was failing, and eventually died. definitely a time to be compassionate. still, I stand by my review below)

very disappointed. love her books but this one had a lot of white spaces, blank pages, and repetitions. more a novella or even a short story. I noticed lots of phrases, sentences and ideas from her former books. half way thru the book, I found I could scan many paragraphs which were fillers. I love her books but this didn't feel like the quality i'm used to from her. Had a hard time finishing but the last chapter was interesting.

I loved this story, The cobrador was a metaphor for the conscience of all the characters. The clever use of the tiny border town as a corridor for crime is a current issue with our American neighbours. I did like the braiding of the past and present, the 'hot scenes' were the present and the events taking place in the cold were reflections of what had gone on in the past. This book is up to Penny's usual excellent standards in crime fiction.

r
renooner
Mar 22, 2018

You can't beat a Louise Penny novel on a cold, winter's night in Minnesota. She's in my top tier of writers along with CJ Box, Carl Hiaasen, Daniel Silva, David House right, and the late, great Vince Flynn who poured me a few Dewars in St Paul years ago. R.I.P Vince....

d
DL7173
Mar 20, 2018

At 647 pages (large print) this one was too long-winded for my taste.

g
GrandCru
Mar 10, 2018

Not one of her best. Confusing at times with all the back and forth stuff. I like her books that go into more 'food' descriptions and involve the village locals. This one consisted mainly of a group of non-villagers.

p
praxeologist
Feb 24, 2018

I became acquainted with the genius of Louise Penny when I read in 2012 her debut novel, Still Life, published in 2005. Back then, I wrote for myself this response to her writing: Remarkable in that the spirit outranks the letter. Author stands at the portal to organic writing.

The ensuing years have brought forth eleven more novels penned by Penny, and now, with the creation of Glass Houses, her thirteenth novel, she stands in the vestibule of organic writing, which evolves without intellectual prodding. There's plenty of this prodding in the production of this murder mystery, but the organic nature lifts from the pages near the middle of the book. There rapture awaits the reader who is keen in engaging the spirit of the story. The following four sentences from page 184 of the hardcover offer a taste of this rapture:
"[Chief Superintendent] Armand Gamache walked through the late afternoon darkness. The lights from the cottages were made soft by the mist that still hung over the village. Three Pines felt slightly out of focus. Not quite of this world."

Three Pines is on the map if you've been there; otherwise, it does not exist.

Louise Penny builds her mystery with the help of glass houses, a baseball bat, the novel Lord of the Flies, the phrase "burn our ships," Mahatma Gandhi's higher court of the conscience, lesbianism, an old poet demented with insight, and the Spanish cobrador, who collects debts. Penny, in pushing to the beyond, infuses "cobrador" with a higher meaning: "conscience."

How the cobrador as conscience plays out in the story is done well. Penny's cobrador wears a black costume and mask. Three Pines, located near Montreal and the border with the United States, is the center of the story, and it is here that the cobrador appears and stands mute on the village green. This sinister presence causes a stir in the village. A lot of questions are raised, with the most basic of them—what is it doing here?—leading into the intrigue.

Chief Superintendent Gamache was the first to confront the cobrador. The entity did not move, it did not speak. If the narrator would have given Gamache the opportunity to assess the height of the cobrador and detect the scent, if any, of the person hidden by black, the intrigue would have been put at risk. Sherlock Holmes with the help of his narrator would have taken this opportunity and damn the intrigue, but Holmes could have no place in this mystery because he favors the letter in solving a crime whereas Gamache favors the spirit.

Louise Penny creates in Glass Houses an enjoyable read by creating symbols, even of the murder victim and Three Pines itself, and by keeping the reader close to Armand Gamache, whose conscience is on trial.

The murder mystery intersects later with a search for the leader of a drug cartel. Is that culprit the murderer?

By the end of the story, the reader may be thinking that Louise Penny, the conscience for Glass Houses, is her own hero, Chief Superintendent Armand Gamache, the conscience for a world hidden from the world.

l
laphampeak
Jan 17, 2018

I'm not a fan. Nothing happened in the first 150 pages except to establish, ad nauseam, the existence of a cobrador. Determined to finish despite my lack of enthusium I plodded to the end. I wanted more engagement to the characters, not blind devotion to the author.

g
glotet
Jan 15, 2018

Disappointing, using a "scary thing" as the crux of the story. Slow moving and repetitive with how Gamache "felt." The story was not captivating in any way unlike her first books.

m
m0mmyl00
Jan 07, 2018

One of the things I enjoy so much about a Louise Penny book is the way she incorporates her research into her books. An example is Beautiful Mysteries, which is about silent monks who make Gregorian chants a central part of their faith and worship. I became aware of the depth of her immersion into the research when she noted that the monks’ silence awakened them to an awareness of minuscule expressions and the thoughts they conveyed. That is not something she learned from Wikipedia. (This is as opposed to The Tea Girl of Hummingbird Lane, about a girl from a hill tribe in China, Akha. When I looked up Akha, I found an entry that included all the beliefs and practices that were related in the book. I got no insights that would have come from someone having actual experienced living those beliefs and practices.)
Anyway, the thing that was so interesting in Glass Houses was the Cobrador. It is derived from the Spanish practice involving El Cobrador del Frac — a debt collector in a top hat who follows the debtor around silently, with the aim of shaming him/her into paying the debt. Penny created something different and more sinister by claiming it to be an ancient practice, and by making its purpose be to collect on moral and ethical debts as well as financial. I was disappointed to learn that she made that part up, and like the book a little less when I learned it was not true. I know; that’s not really fair.

s
Samatuna109
Jan 04, 2018

I really enjoy her books. While reading the 1st one, I thought it was more of a young readers book. Found myself by going back for another. Then another. Fell in love with Armand, Henri, the city of Quebec, and the Eastern townships all over again. Her books may not have you biting you nails while perched on the edge of your seat, but they are very enjoyable reads. Keep writing, my dear Ms Penny. And thank you!

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